We are the artists, the culture bearers, the healers of the spirit, the first responders to the community’s soul.
In this moment, we face four major threats to our shared existence: a global pandemic; militarized state and vigilante violence, significantly directed at Black people; environmental degradation; and an economic crisis. All of these have been shaped and exacerbated by racism and white supremacy. Black, Indigenous, Native American, Latinx, Chicanx, Arab, MENASA (Middle Eastern, North African, South Asian), Asian, Pacific Islander, and other communities of color, especially those who are Disabled/Deaf and/or LGBTQIA+/Two-Spirit, are dying of these threats — by disease, police/carceral and racial violence, and the health and social inequities that force us into premature death.
The main question that we all confront now is whether we will emerge from this era choosing to maintain the same systems and beliefs that support the current culture of division and death or if we will instead move forward toward a more just, shared future, guided by worldviews that foster collaboration and mutuality.
We call for an end to racial and cultural inequity and injustice. We call for:
- We declare, “No meetings about us, without us.” People of color should not be a minority at the table.
- We call on institutions, organizations, and culture-industry businesses to immediately address inequities in and expand the equitable hiring and promotion of Black, Indigenous, and people of color (BIPOC), especially at the senior leadership level.
- We call for the redefinition of “recovery ready” funds to be distributed not according to organizational budget size, but according to measures of community trust and cultural competency.
- We call for the building of capacity of BIPOC cultural resource organizations in Black, Indigenous, and communities of color that serve as anchors in our communities.
- We call upon historically white-led and white-serving organizations to recognize that, in order to transform themselves, they should be learners of cultural equity from leaders of BIPOC communities.
- We call for relief funds, stimulus funds, and jobs for artists and arts and cultural organizations for and by Black, Indigenous, and communities of color.
- We call upon funders, donors, governments, and businesses to address severe racial and cultural inequity in funding arts organizations for and by Black, Indigenous, and communities of color.
- We call for investment in BIPOC-led businesses in the arts and culture industries and sectors.
- We call upon funders, donors, governments, and businesses to divest themselves of investments in companies that do not practice cultural and racial equity and commit to capital investment that uplifts our collective humanity.
- We call upon large-budget, predominantly-white organizations to disclose racial demographics of furloughs, lay-offs, and program shrinkage.
- We call upon all funders, donors, governments, and culture-industry businesses to establish and be accountable for equity plans, including furthering diversity of professional full-time staff and boards, providing benefits to all levels of staff, implementing community benefit and anti-racism trainings, and paying artists and community members for labor on advisory groups, panels, and other services.
- We call upon funders, donors, governments, and businesses to collaboratively develop and implement community benefit agreements that include decision making participants and processes, budget transparency, percentage of dollars spent in the community, % for art, and other specific and ongoing benefits of programs and projects targeting BIPOC communities.
- We call upon all mainstream arts organizations, elected officials, culture-industry leaders, and governments to invest, protect, and sustain arts and cultural spaces for Black, Indigenous, and communities of color.
- We call upon funders, donors, governments, and businesses to support and equitably fund culturally-rooted BIPOC arts service organizations, with a demonstrated history of trust in their communities.
- We call upon funders, donors, governments, and businesses to support and equitably fund Cultural Community Anchors — arts producing organizations that are based in Black, Indigenous, and communities of color, particularly those leading edge organizations that have survived despite being under-funded for decades.
- We call upon historically white-led and white-serving organizations to forge Community Benefits Agreements with BIPOC communities that center cultural equity and redistribute funds and power to them.
- We call for the support of cultural institutions and local cultural economies in order to build healthy communities.
- We call for the support of place-based cultural practices directly tied to the intergenerational education of children, both in schools and in community cultural spaces—such as “escuelitas” or Freedom Schools that elevate a community’s history and culture.
- We call for the preservation of public spaces as protected spaces for civic expression, congregation, and experience.
- This Call is intended to support work in local, national, and global contexts and should be adapted to specific contexts to hold leaders, policy-makers, and institutions — and ourselves — responsible, accountable, and transparent in achieving equity and justice. We call for change processes that include metrics of progress, defined lines of oversight, and timetables. Change must be measurable to be meaningful.
We are the artists, the culture bearers, the healers of the spirit, the first responders to the community’s soul.
In this moment, we face four major threats to our shared existence: a global pandemic; militarized state and vigilante violence, significantly directed at Black people; environmental degradation; and an economic crisis. All of these have been shaped and exacerbated by racism and white supremacy. Black, Indigenous, Native American, Latinx, Chicanx, Arab, MENASA (Middle Eastern, North African, South Asian), Asian, Pacific Islander, and other communities of color, especially those who are Disabled/Deaf and/or LGBTQIA+/Two-Spirit, are dying of these threats — by disease, police/carceral and racial violence, and the health and social inequities that force us into premature death.
The main question that we all confront now is whether we will emerge from this era choosing to maintain the same systems and beliefs that support the current culture of division and death or if we will instead move forward toward a more just, shared future, guided by worldviews that foster collaboration and mutuality.
We come together now to declare that we refuse to return to the white supremacist narratives of segregation, extraction, and domination that deem some of us worthy of sustenance, nurturing, and protection, and others of us surplus, exploitable, and expendable.
In opposition to that worldview, we believe in the power of arts and culture to define and delight, to provoke and persuade, to edify and unite. Our artistic and cultural practices lift up the fullness of our shared humanity, sustain the well-being of all, and lead our social imagination toward transforming our societies and our world.
We recognize that this nation was founded on stolen land and built by stolen labor. Freeing the land means the return of Indigenous lands. We acknowledge that any work we do in the name of justice and healing of this planet must start with respect and support for Indigenous peoples, their knowledge, and their right to self determination and tribal sovereignty.
We also acknowledge our indebtedness to the movement for Black freedom, and to Black freedom culture, which articulates our dreams of liberation and makes them tangible and imaginable. We will not be free until Black people are free. We stand in defense of Black lives.
The violence of racism has gagged us and hidden our hearts. We know that invisibility, underrepresentation, and misrepresentation exacerbate injustice, dehumanization, and premature death. We who have been silenced for so long must be able to tell our stories. We chant down the monoculture of white supremacy with an expansive diversity of voices.
We assert that place matters, and we root ourselves in community. We are stewards of the places in which we live. We believe in the wisdom of directly impacted communities to be our own storytellers and leaders, to reinscribe history and shape the future.
We ask ourselves the question: arts and culture for what? We work in culture and the arts because we believe that stories weave together the moral fabric of our societies. We aim to build and sustain our communities, those most impacted by racial and cultural inequity. We believe that art and culture is never separate from the undoing of inequities in health, employment, wealth, detention, incarceration, deportation, housing, and the environment.
We know that we work in an arts and culture ecosystem that not only reflects the inequities caused by racism and white supremacy, but also reproduces and reinforces those inequities. As leaders and philanthropists talk about recovery for the arts and culture sector, we ask what direction that recovery will take: will it rebuild systems that maintain racial and cultural injustice? Or will it begin to reverse the legacies of racism and white supremacy in building a new one?
To unmake these systems that oppress all of us, we fight for cultural equity, which we define as the condition that all people are fairly resourced in artistic and cultural expression and fairly represented in systems of exhibition, performance, and decision-making — which will lead to a redistribution of cultural power.
We fight for cultural justice, which we define as the healing of the erasure, suppression, and marginalization of people’s artistic and cultural practices. Cultural justice restores and builds for communities of color ways of living, being, and sense-making, and allows all of us to express ourselves and be recognized in our full, complex humanity.
Cultural equity and cultural justice are essential for racial justice, which we define as the systematic fair treatment of people of all races that results in equitable opportunities and outcomes for everyone. Racial justice moves us all toward a more vibrant, multiracial democracy that advances the self-determination and the sovereignty of all peoples.
We know that the health of our communities depends upon the health of our cultures. Arts and cultural ecosystems keep our communities resilient in hard times. Community health and wellness depend upon strong cultural institutions and strong local cultural economies. We are here to redistribute cultural power from those who believe in domination to those who believe in interdependency, sustainability, and the protection of people and the earth. We work to build communities rooted in openness, belonging, and freedom for all.
For these reasons, we call for A Cultural New Deal. It is a call to invest in, support, and sustain the builders of our imagination and the keepers of our cultures.
Artists and cultural bearers are never separate from the communities they claim. Their creative ecosystems never exist in isolation. We believe that our work aligns with those of movement-developed platforms, such as those from the Movement for Black Lives, the Poor People’s Campaign, Just Recovery, the Women’s March, the Green New Deal, Just Transition, the Harriet Tubman Collective, BYP100, the Coalition to Stop Violence Against Native Women, and The People’s Bailout, whose agendas broadly advance racial and social justice. We add to those our calls to build a healthy, vital, and just culture so that we can anchor, build, and sustain our communities.
In order to end these four existential threats exacerbated by racism and white supremacy, we must pivot from a culture of division and death toward one that values equity, justice, and life. We are not going back to an arts ecosystem that pretended to be neutral but instead preserved deadly whiteness. That culture has failed us. It is time to reset.
We call upon all who agree with us to join with us to meet the urgency of our time.
A CULTURAL NEW DEAL FOR CULTURAL AND RACIAL JUSTICE
We call for an end to racial and cultural inequity and injustice as Black, Indigenous, Native American, Latinx, Chicanx, Arab, MENASA (Middle Eastern, North African, South Asian), Asian, Pacific Islander, and other people of color. Those embodying the intersection of these identities as also Disabled/Deaf and/or LGBTQIA+/Two-Spirit must be centered in this work. We call for:
I. The support, recognition, and prioritization of the leadership of Black people, Indigenous peoples, and people of color.
- We declare, “No meetings about us, without us.” We should not be a minority at the table.
- We call on institutions, organizations, and culture-industry businesses to immediately address inequities in and expand the equitable hiring and promotion of Black, Indigenous, and people of color (BIPOC), especially at the senior leadership level.
- We call for the redefinition of “recovery ready” funds to be distributed not according to organizational budget size, but according to measures of community trust and cultural competency.
- We call for the building of capacity of BIPOC cultural resource organizations in Black, Indigenous, and communities of color that serve as anchors in our communities.
- We call upon historically white-led and white-serving organizations to recognize that, in order to transform themselves, they should be learners of cultural equity from leaders of BIPOC communities.
II. The reversal of long-term inequities in funding, hiring, and resources in the arts and culture sector.
- We call for relief funds, stimulus funds, and jobs for artists and arts and cultural organizations for and by Black, Indigenous, and communities of color.
- We call upon funders, donors, governments, and businesses to redress severe racial and cultural inequity in funding arts organizations for and by Black, Indigenous, and communities of color.
- We call for investment in BIPOC-led businesses in the arts and culture industries and sectors.
- We call upon funders, donors, governments, and businesses to divest themselves of investments in companies that do not practice cultural and racial equity and commit to capital investment that uplifts our collective humanity.
- We call upon large-budget, predominantly-white organizations to disclose racial demographics of furloughs, lay-offs, and program shrinkage.
- We call upon all funders, donors, governments, and culture-industry businesses to establish and be accountable for equity plans, including furthering diversity of professional full-time staff and boards, providing benefits to all levels of staff, implementing community benefit and anti-racism trainings, and paying artists and community members for labor on advisory groups, panels, and other services.
- We call upon funders, donors, governments, and businesses to collaboratively develop and implement community benefit agreements that include decision making participants and processes, budget transparency, percentage of dollars spent in the community, % for art, and other specific and ongoing benefits of programs and projects targeting BIPOC communities.
III. Investment in arts and cultural ecosystems for Black, Indigenous, and communities of color.
- We call upon all mainstream arts organizations, elected officials, culture-industry leaders, and governments to invest in, protect, and sustain arts and cultural spaces for Black, Indigenous, and communities of color.
- We call upon funders, donors, governments, and businesses to support and equitably fund culturally-rooted BIPOC arts service organizations, with a demonstrated history of trust in their communities.
- We call upon funders, donors, governments, and businesses to support and equitably fund Cultural Community Anchors — arts producing organizations that are based in Black, Indigenous, and communities of color, particularly those leading edge organizations that have survived despite being under-funded for decades.
- We call upon historically white-led and white-serving organizations to forge Community Benefits Agreements with BIPOC communities that center cultural equity and redistribute funds and power to them.
IV. Investment in building healthy communities through centering cultural and racial equity.
- We call for the support of cultural institutions and local cultural economies in order to build healthy communities.
- We call for support for place-based cultural practices directly tied to the intergenerational education of children, both in schools and in community cultural spaces—such as “escuelitas” or Freedom Schools that elevate a community’s history and culture.
- We call for the preservation of public spaces as protected spaces for civic expression, congregation, and experience.
V. Accountability, commitment, and integrity in the pursuit of cultural and racial justice.
- This Call is intended to support work in local, national, and global contexts and should be adapted to specific contexts to hold leaders, policy-makers, and institutions — and ourselves — responsible, accountable, and transparent in achieving equity and justice. We call for change processes that include metrics of progress, defined lines of oversight, and timetables. Change must be measurable to be meaningful.
Pilar Agüero-Esparza
Visual Artist
San Jose, CA
Sanaz Alesafar
Storyline Partners
Los Angeles, CA
Amy Andrieux
Museum of Contemporary African Diasporan Art (MoCADA)
Brooklyn, NY
Betty Avila
Self Help Graphics & Art
Los Angeles, CA
Michele Kumi Baer, Jeff Chang, and
Nayantara Sen*
Race Forward
Oakland, CA
Anyka Barber
Betti Ono: A Space for Arts, Culture and Community
Oakland, CA
Faith Bartley, Courtney Bowles, and
Mark Strandquist
People’s Paper Co-Op
Philadelphia, PA
Carol Bebelle
Co-Founder, ASHÉ Cultural Arts Center and Founder, AKUA Productions
New Orleans, LA
Patricia Berne and Nomy Lamm
Sins Invalid
San Francisco Bay Area, CA/Olympia, WA
Evan Bissell
Othering & Belonging Institute
Berkeley, CA
adrienne maree brown
writer, Emergent Strategy Ideation Institute
Detroit, MI
Piper Carter
Frontline Detroit
Detroit, Michigan
Halima Afi Cassells
Free Market of Detroit
Detroit, MI
Kim Chan
New York, NY
Ananya Chatterjea
Ananya Dance Theatre
St. Paul, MN
S. Leo Chiang
A-Doc/Walking Iris Media
San Francisco, CA
Sonya Childress
Perspective Fund
Los Angeles, CA
Suhyun Choi
BUFU: By Us For Us
Seoul, Korea
Marine Cournet and Hanne Tierney
FiveMyles Gallery
Brooklyn, NY
Trami Cron
Chopsticks Alley Art
San Jose, CA
Sage Crump, Caitlin Strokosch, and
Shay Wafer
National Performance Network
New Orleans, LA
Deborah Cullinan, Sara Fenske Bahat, and
Renuka Kher
Yerba Buena Center for the Arts
San Francisco, CA
Ariel Davis and Quanice Floyd
The Arts Administrators of Color Network
Washington, DC
Damon Davis
FarFetched
Saint Louis, MO
Monique Davis
Center for Art and Public Exchange at the Mississippi Museum of Art
Jackson, Mississippi
Raquel de Anda, Adam Horowitz, and Carol Zou
U.S. Department of Arts and Culture
Laredo, TX/Albuquerque, NM/Los Angeles, CA
Mike de la Rocha
Revolve Impact
Los Angeles, CA
Bryce Detroit
Detroit Recordings Company
Detroit, MI
Emory Douglas
BPP Alumni Association/Eastside Arts Alliance
San Francisco, CA
Tara Dorabji and Favianna Rodriguez*
The Center for Cultural Power
Oakland, CA
Jayeesha Dutta
Another Gulf Is Possible Collaborative, Climate Justice Alliance, Eyewitness Palestine
New Orleans, LA
Lara Evans
Institute of American Indian Arts
Santa Fe, NM
María Esther Fernandez
Santa Clara, CA
Quetzal Flores
Community Power Collective
Los Angeles, CA
Samara Gaev
Truthworker Theatre Company
Brooklyn, NY
Alixa Garcia
Climbing PoeTree
New York, NY
Michael John Garcés
Cornerstone Theater Company
Los Angeles, CA
Dustina Gill
Nis’to Incorporated
Sisseton, SD
Virginia Grise
a todo dar production, Mellon Playwright in Residence at Cara Mia Theater
Cedar Park, TX
Jessica Hagedorn
Writer
New York, NY
Anjee Helstrup-Alvarez
MACLA/Movimiento de Arte y Cultura Latino Americana
San José, CA
Christine Her
ArtForce Iowa
Des Moines, IA
Maori Karmael Holmes
BlackStar Projects
Philadelphia, PA
A-lan Holt
Institute for Diversity in the Arts
Stanford, CA
Vicky Holt Takamine
PAʻI Foundation
Honolulu, HI
Hua Hsu
Brooklyn, NY
Wing Huie
Third Place Gallery
Minneapolis, MN
Antoine Hunter (Purple Fire Crow) and Zahna Simon
Bay Area international Deaf Dance Festival
Oakland, CA
Kemi Ilesanmi
The Laundromat Project
Brooklyn, NY
Kaisha S. Johnson
Women of Color in the Arts (WOCA)
New York, NY
Diana Elizabeth Jordan
The Rainbow Butterfly Cafe
Los Angeles, CA
James Kass
Cultural Strategist, Strategic Advisor
San Francisco, CA
Keiki Kawaiaea and
Dr. Larry L. Kimura
Ka Haka ʻUla O Keʻelikōlani College of Hawaiian Language, University of Hawaiʻi
Hilo, HI
Tina Kuckkahn-Miller
Vice President for Indigenous Arts, Education and Tribal Relations
Olympia, WA
Winona LaDuke
Economist, farmer and writer
White Earth Reservation, MN
Cornetta Lane-Smith, Ryan Pearson, and
ill Weaver
Detroit Narrative Agency
Detroit, MI / Waawiiyatanong
Kiese Laymon
University of Mississippi
Oxford, MS
Eun Lee
The Dream Unfinished
New York, NY
Grace Lee
Asian American Documentary Network
Los Angeles, CA
Jeanette Lee
Allied Media Projects
Detroit, MI
María López De León*
National Association of Latino Arts and Cultures
San Antonio, TX
Roberto Lovato
#DignidadLiteraria
San Francisco, CA
Alice Lovelace
Southeast Community Cultural Center (ArtsXchange)
East Point, GA
Rick Lowe
Houston, TX
Sade Lythcott and Jonathan McCrory
National Black Theatre
New York, NY
Natalie Marrero
Conga Kids & Undoing Racism LA Collective
Los Angeles, CA
Terry Marshall and Aisha Shillingford
Intelligent Mischief
Brooklyn, NY
Neyda Martinez
The NewSchool/Producer, Decades of Fire
Brooklyn, NY
Paloma McGregor
Angela’s Pulse
New York, NY/St. Croix, USVI
Stephanie McKee-Anderson
Junebug Productions Inc.
New Orleans, LA
Garrett McQueen
American Public Media
Saint Paul, MN
La quen náay Liz Medicine Crow
First Alaskans Institute
Alaska (Statewide)
Mark Menjivar
Artist
San Antonio, TX
Tareef Michael
Wunited Foundation
Los Angeles, CA
Heather Miller
American Indian Center
Chicago, IL
Ashley Minner
Baltimore, MD
Dipankar Mukherjee and
Meena Natarajan
Pangea World Theater
Minneapolis, MN
David Mura
VONA
Minneapolis, MN
De Nichols
Civic Creatives / Design as Protest
St. Louis, MO / Memphis, TN
Nina Olson
Caribbean Cultural Center African Diaspora Institute
New York, NY
Debra J.T. Padilla
#padilla consulting/pARTner
Venice, CA
Cathy Park Hong
Writer / Rutgers University - Newark
Brooklyn, NY
Cleo Parker Robinson
Cleo Parker Robinson Dance
Denver, CO
Linda Parris-Bailey
Parris-Bailey Arts Inc.
Knoxville, TN
Pamela J. Peters
TÁCHII’NII PHOTOGRAPHY
Los Angeles, CA
Logan Phillips
Artist
Tucson, AZ
Colette Pichon Battle
Gulf Coast Center for Law & Policy
Gulf South
Anthonine Pierre
Brooklyn Movement Center
Brooklyn, NY
Lori Pourier*
First Peoples Fund
Lakota Territory, SD
Gregory (GQ) Qaiyum
Q Brothers
Chicago, IL
Michelle Ramos
Alternate ROOTS
Atlanta, GA
Randy Reinholz and
Jean Bruce Scott
Native Voices, Founders and Producing Directors, Emeritus
Los Angeles, CA
Jerome Reyes
Stanford University
San Francisco, CA
Betsy Richards
Director of Cultural Strategies, The Opportunity Agenda
New York, NY
Ivette Rodriguez
LA COLLAB & AEM Marketing
Venice, CA
Karla Rosas
New Orleans, LA
Régine M. Roumain
Haiti Cultural Exchange
Brooklyn, NY
Denise Saunders Thompson
The International Association of Blacks in Dance, Inc.
Silver Spring, MD
Aparna Shah
reset project
Oakland, CA
Bernice Shaw
Center for Story-based Strategy
Oakland, CA
Kamal Sinclair
Guild of Future Architects
Los Angeles, CA
Harold Steward
The Theater Offensive
Boston, MA
Gaby Strong
NDN Collective
Morton, MN
Renee Tajima-Peña
A-Doc, UCLA Asian American Studies
Los Angeles, CA
Malesha Taylor
museSalon Collaborative
Los Angeles, CA
Jack Tchen
Clement A. Price Institute for Ethnicity, Culture, and the Modern Experience, Rutgers University - Newark
Newark, NJ
Eddie Torres
Grantmakers in the Arts
Bronx, NY
Anasa Troutman
The Big WE
Memphis, TN
Carlton Turner*
Mississippi Center for Cultural Production
Utica, MS
Wisa Uemura
San Jose Taiko
San Jose, CA
Roberta Uno*
Arts in a Changing America
Jackson Heights, NY
Clyde Valentín
SMU Meadows School of the Arts
Dallas, TX
Ashley Walden Davis
Unlock Creative
Atlanta, GA
Lula Washington and
Erwin Washington
Lula Washington Dance Theatre/Lula Washington Contemporary Dance Foundation
Los Angeles, CA
Carrie Mae Weems
SOCIAL STUDIES 101
Syracuse, NY
Dyani White Hawk Polk
Sičangu Lakota
Shakopee, MN
Nia Wilson
SpiritHouse Inc
Durham, NC
Jasiri X
1Hood Media
Pittsburgh, PA
Donald Young
San Francisco, CA
Christian Ávila
Mary Jo Aagerstoun
Jasmin Aber
David Acosta
Corey Adamshick
Lisa Adang
Shalini Agrawal
Ruth Aguirre
Daisy Ahlstone
Devon Akmon
Elías Alejo
AJ Allegra
Raquel Almazan
Tim Almeda
Maribel Alvarez
Paula Alvarez Vaccaro
Nicole Amaral
Mia Amaranto
Iana Amiscaray
Paloma Andazola-Reza
Kelly Anderson
Ursa Anderson
Gary Anderson
Josie Anderson
Evelyn Anderson
Dale Andree
Walter Anfang
Agustin Angel
Sandra Aponte
Jessica Applebaum
Aurelio Aquino
Miriam Arbus
Hector Armienta
Kelly Armor
Sharon Arnold
Sophie Aronson
Kiley Arroyo
Lindsey Arturo
Salome Asega
Corr Ash
Nazira Atalla
Caron Atlas
Flavie Audibert
Dewayne Austin
Ty Autry
Wyckham Avery
Katie Avila Loughmiller
Len Ayers
Diane Baas
Hillary Bachelder
Barbara Schaffer Bacon
Lisa Bade
Lauren Baines
Damika Baker
Julie Baker
Brigid Baker
Falu Bakrania
Charles Baldwin
Emily Balsley
Heather Barfield
Robert Baron
Nadia Barrera
Cameron Basden
Jennifer Basquiat
Jennifer Bastian
Ivonne Batanero
Kelly Baum
Nita Baum
Jake Beasley
Roberto Bedoya
Pablo Beimler
Tahnia Belle
Rebecca Beltran
Eda Benites
April Bennett
Annie Bennett
Jaron Bernstein
Kristina Berrier
Randi Berry
Arlene Biala
Viviana Bianchi
Samantha Black
Jessica Blair
Raven Blake
Sandra Blakely
Sarah Blanchette
Charlotte Blumenthal
Emma Boast
Emma Boehm
Kelly Bolender
Christine Bolingbroke
Dawn Bolling
Paul Bonin-Rodriguez
Beth Boone
Madhusmita Bora
Katherine Borland
Angela Bossut
Oana Botez
Carole Boughter
Assia Boundaoui
Lindsey Bourne
Kim Bowen
Gayle Brandeis
Jamie Brandmeier
J. Stephen Brantley
Charlotte Brathwaite
Stanlyn Breve
Angela Bronner Helm
Sara Brookner
Jocelyn Brown
Rachel Brown
Kibbe Brown
Bernard Brown
Megan Brown
Leticia Buckley
Danielle Bunch
Nancy Bunker
Kelsey Burkett
Emilya Cachapero
Winnie Calderon
Christine Cali
Stacey Calvert
Layel Camargo
Nathan Campos
Gema Cantu
Melody Capote
Carol Carbonell
Cornelia Carey
Ry Carpenter
Hannah Carrigan
Angela N. Carroll
Kathleen Carroll
Trisha Carter
Laura Casas
James Casebere
Thomas Castañeda
Armando Castellano
Teo Castellanos
Jaquen Castellanos
Erica Castello
Rachel Castillo
Yanira Castro
Sophia Castuera
Marianne Ceballos
Consuelo Cervantes
Amber Chabus
Nanibah Chacon
Olga Chapman-Rivera
Karen Charles
Rashida Chase
Jessica Chavez
Jillian Chavez-Oliveira
Michael Che
George P Cheney IV
Ann Chiaverini
Marcie Chin
Jesse Chin
Carolyn Choy
Justin Christy
Michelle Ciccarello
JoAnna Cintron
Gabrielle Civil
Erin Cizan
Elizabeth Clark
Alisa Clayton
Raymond Codrington
Donald Cohen
Jennifer Cole
Gerlie Collado
Brittni Collins
Gerardo Contino
Jesus Mario Contreras
Jennifer Cook
Durell Cooper
Sabrina Coria
Carly Correia
Chelsea Corrow
Maggie Corry
Mo Costello
Justine Costerouse
Heather Courtney
Lyz Crane
Janelle Crawford-Hine
Tricia Creason-Valencia
Sara Cross
Brian Cross AKA B+
Sheina Crystal
Cari Cunningham
Claire Curley
Dr. Antonio C. Cuyler
Katie Dahlaw
Becky Dale
Wanda Dalla Costa
Melissa Dalton
Erin Daly
Dechelle Damien
Amanda Dargan
Kim Davalos
Dawson Davenport
Peyton David
Theo de Castro
Mara De La Rosa
José De León
Claro de los Reyes
Ana De Orbegoso
Chrissy Deal
Nicole DeBoer
Chrislene Dejean
Luisa Del Giudice
Dana Del Monte Townsend
Patrick Dennis
Andrew Derousseau
Parijat Desai
Erica Desautels
Kevin Devine
Michael DeWhatley
Margaret Diaz
Noel Didla
Xenia Diente
Danae Digiacomo
Ellie Dillenburg
Tina Dillman
Christine Dinsmore
James Dixon
Sammay Dizon
Amadia Djali
Jennifer Dodge
Alexis Doiron
Jeff Donnelly
Jessica Doonan
Dana Dorion
Meesh Dot
Penelope Douglas
JD Doyle
Christina Dresang
Gina Drescher
Sahar Driver
Nicholas Druzbanski
Lauren Duhr
Alison Dunning
Natalie Duran
Sam Durant
Danielle Duruisseau
Typhanye Dyer
Laura Dykstra
Emily Eakland
Theodora Earthwurms
Alfie Ebojo
Alden Eckman
Brett Egan
Anne Egan-Robertson
Brian Elerding
Susan Eleuterio
Kara Elliott-Ortega
Deirdre Elmansoumi
Olivia Eng
Randy Engstrom
Erika Enomoto
Amy Eriksen
Life Escobar
Amber Espinosa-Jones
Linda Essig
Michaela Esteban
Sarah Estrada
Angela Estrada
Megan Evangeliste
Wanda Lee Evans
Karen Fain
Maureen Feit
Angela Fellingham
Tracy Fenix
Yesenia Fernandez
Anton Fero
Angela Ficorelli
Ariel Fielding
Ari Figueroa
David Fine
Julia Fine
Courtney Fink
Amy Fink
Patrick Fisher
Eliot Fisher
Anna FitzGerald
Maxine Flasher-Duzgunes
David Fleming
Priscilla Flores
Matthew Fluharty
Sofia Fojas
John Foran
Stefan Forbes
Cynthia Fortozo
Tracy Fortson
Kenneth Foster
Rosalie Fowler
Sherese Francis
Melissa Franqui
Maren Franzke
Scott Fraser
Leslie Fraser
Claire Frederick
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